THE PROBLEM WITH FANCY PRINTS: DESIRABLE DIFFERENCE, AUTHENTICITY, AND CONSUMER APPROPRIATION IN GHANAIAN FASHION

Textiles are the most representative symbol of the globalization of African fashion (Rovine 2014). A young generation of stylists and designers based in various regions of the continent consistently employs them to express and export a style imbued with pan-African pride. The turn to an African-inspired aesthetic able to drive fashion’s regeneration at the global level is evident in the widespread practice of cutting fabric …

THE PLACE OF AFRICA ON THE GLOBAL FASHION MAP

Last Monday an article by Robb Young appeared online in Business of Fashion. The article is a sort of blueprint to understand the hype surrounding the African fashion industry and, by extension, to decode the mainstream rhetoric and cultural politics that frame it. Young discusses Africa’s contribution to the global fashion industry, contending, as an increasing number of commentator do, that the continent has the potential to become a …

CALL FOR PAPERS: (DE)GENDERING THE POSTCOLONIAL

de genere: journal of literary, postcolonial and gendered studies has just issued its first call for papers. Please make note of it and pass word to anybody who might be interested in contributing to an exciting new publication. The online open-access academic journal de genere offers a space for interdisciplinary research and critical debate in gender and postcolonial studies. The journal will be published …

THE KANGA: MODERNITY, CONSPICUOUS CONSUMPTION AND CULTURAL TRANSLATION IN COLONIAL ZANZIBARI FASHION

Last week I stumbled upon the online exhibition Sailors and Daughters: Early Photography and the Indian Ocean curated by Erin Haney, which exhibits photographic documents from the early 20th century of the everyday lives of the maritime societies of East Africa, the Persian Gulf and other Indian Ocean ports. This is a notable curatorial work for many reasons, not least because it shares material that is …

SHARABLE STORYTELLING, REASPORA, AND GHANAIAN FASHION: WATCHING AN AFRICAN CITY

About one year has passed since An African City debuted on YouTube and this web series about five girlfriends in their thirties who relocate to Ghana from the US continues to be one of few audiovisual works aimed at a Western audience that explicitly addresses Afropolitanism. Compared to the host of existing scholarship (Mbembe), online resources, and photographic works focusing on the experiences of cosmopolitan Africans based …

ANTHONY BILA: BLACK HISTORY MARCH. WHEN FASHION PLEASES TO TEACH EMPOWERMENT

Last week South African photographer and video-maker Anthony Bila released a new volume of his yearly series “Black History March.” The 3-minute video features the fashion duo Sartists and pays homage to 1950s fashion with beautiful visuals and the dandies’s classic styling. Following a project that they have been pursuing for some time and independently of each other, Bila and the Sartists join forces to …

KADIR NELSON FOR THE NEW YORKER + A SHORT EXTRACT FROM MY UPCOMING PAPER ON RETROSPECTIVE AFRO-SARTORIALISM

To celebrate its ninetieth anniversary, the next issue of The New Yorker will come out in nine different covers. Each one was handed to an artist with the task of re-imagining the iconic drawing, showing a gentlemen with the beaver hat and monocle (a.k.a.Eustace Tilley), that appeared on the magazine’s first cover of February 1925. One of the nine covers is an oil painting by Kadir …

THE REDUCTIVE AESTHETICS OF ‘AFROPOLITAN’ FASHION

These past few days I have come across two (more) articles documenting the success of African fashion with Western customers, one by a niche publication, and another one by a major news platform. In both cases, ‘African dress’, a rich signifier encompassing a host of different practices and trends, is reduced to a very specific and limited typology of sartorial fashion, aimed predominantly at …

THE FASHION OF DEVOTION OF SENEGALESE BAYE FALL

It is hard to come by information on the vestimentary practices of the Muslim brotherhood of the Baye Fall in the popular press, but last month Nicole Crowder published an article about it in The Washington Post that I will index as an updated reference on the subject of African fashion and devotion. ‘The roots of fashion and spirituality in Senegal’s Islamic brotherhood, the Baye Fall’ is a …

VLISCO AND THE POLITICS OF AFRO-SARTORIAL GLAMOUR

A few days ago, the Dutch textile company Vlisco released its new themed collection of wax-print materials, entitled “THINK”, triggering an outpour of excitement on social media and lifestyle publications. For its first release of the year Vlisco created a motif of lines and geometrical figures whose minimalistic patterns are “inspired by the architectural world of Bauhaus”. The collection’s “clever colouring”, that includes newly-created …